Retina, Cedar, 2020, 50”x 47”x34”
The Rocks Of Hornby Island, Plywood and Ink Jet Prints, 2020, 94"x 84"
Ghost, Cedar and Acrylic Paint, 2018, 67" x 24" x 15"
ZigZag Yellow, Cedar, 2020, 68" x 44" x 22"
Trapp Projects exhibition 2020
Ford Mustang, archival pigment print on Linen, 2019, 36" x 50"
During research following the 2004 destructive forest fire in western Canada, I photographed this object a family found while cleaning the gravel in the front of their burned house. An aluminium engine component of a Ford Mustang had melted and poured into the sand casting an ants nest.
Trapp Projects exhibition 2020
Quasicrystal In The Clearcut, Inkjet on cotton paper, 2018, 36" x 48"
Seine Twine And Needle, inkjet photograph on cotton paper, 2019, 36" x 48"
Rhododendron Leaf Thought Correlation With Garden, polychromed over mixed wood, 2020
Grid and Nature, inkjet on cotton paper, 2020, 40" x 50"
Grid In Nature, Brooks Bay, Vancouver Island, inkjet on cotton paper, 2020, 40" x 50"
Folding Sculpture Queensboro, inkjet prints on plywood. 2021
Three folding sculptures to be titled, inkjet prints on plywood.
Various models for folding sculptures, 2021, inkjet prints on plywood
Bone of Contention, The Poems of Agnus Martin. inkjet on plywood and part of a found door. 2020
Taylor Way Over Pass Model. inkjet on cotton paper, wood model. 2018
This is abstract rendering is based on the concrete structure of an overpass I would drive under on the way to and from the studio in West Vancouver everyday.
Taylor Way Overpass, wood, 2018
Coffee-table Crystal, inkjet on cotton paper, 2019
QE Plaza exhibition Vancouver, Granite and marble, 2012
Saturday, wood and enamel, 2018
Barriers, Vancouver Island marble, 2005
Quartz, Vancouver Island marble, 2014
Book-end Barriers Georgia Street Vancouver . Vancouver Island Marble, 2005
Bench Block Emily Car university, Vancouver Island marble, 2005
Heater with hallucination Print, Cedar and silkscreen on paper, 2018
Screen, 2016
Wood, epoxy paint, 73” x 55” x 22”